Now I’ve found what will be the next chapter of my life; my service and my civic duty is far from over. I owe it to my nation to advocate on behalf of land and wildlife conservation. I want to keep the wild places, wild.
In a personal essay, the author explores the positives and negatives of working from home and the motivational struggles of self-fulfillment and self-motivation. She contemplates how working from home has become a cultural phenomenon and how her future career can and cannot fit into that mold.
The second edition of Live Ideas: Undergraduate Primary Texts Journal was published on Monday, April 15th! It includes artwork, poetry, short essays, and a longer article as well as a couple interviews!
A letter to our drunk selves.
by Kaylee Kerns (conducted & transcribed) & Jakob Hanschu (edited) This article was published in the Feb. 2019 […]
Transcendentalism discovered keys to happiness long before modern psychology confirmed them. This is evident in Louisa May Alcott’s enduring novel, Little Women, as well as her other works. This paper explores the ideas of happiness found in Alcott’s works, and how her ideas were influenced by transcendentalism at large.
Feed, The Society of the Spectacle, and The Myth of Sisyphus help answer the question: how do you live authentically in an inauthentic world? Being a reasonable and happy member of society requires neither total rejection nor total acceptance of its norms but a middle ground that balances the two. By making small concessions, you can lead a more fulfilling life.
The first edition of Live Ideas: Undergraduate Primary Texts Journal was published on Friday, February 15th! It includes artwork, short stories, poetry, short essays, and longer articles and reviews!
What if you could have a life-changing conversation with a brilliant thinker? What if you finally discovered who you’re meant to be? In 1970, British journalist Daniel Godwin has the opportunity to finally meet the infamous Japanese author Yukio Mishima in Japan. Little does he know he is about to step into the daunting presence of Japan’s last true Samurai.
A female form is encapsulated by vegetation in a languid yet stoic position. Nature is used to indicate the suffocating feeling caused by the many stressors of modern social life. The image represents the emotional toll of living in a technological world of ceaseless information which is often morally challenging and psychologically draining, and how there is no easy reprieve without embracing apathy.